JENNE HSIEN PATRICK

WRITING / PROJECTS

[For Chapbooks, Comics and Zines see: M A M A L A O H U]

Selected Poetry / Prose / Hybrid

The Fairy Tale Review - Old Lace Issue / Three Pieces: The Coriolis Effect (In Three Movements), Beyond the Sea, and Mǎmǎhūhū

Asian American Writer’s Workshop The Margins / Echo Body

Poetry Northwest / Rice

Frye Museum Blog / Upon the Altar (as a part of Unpoetry: Ekphrastic Poetry in the Galleries)

Hayden’s Ferry Review / Solid Objects Column Essay

“The sea appears, unbidden, over and over again in my work. I can't help it. I also need to physically go to the water, regularly, once a week, to check in. Who am I today? What am I doing? Where is my body? Often if I can't find what I am looking for in writing, the only place I can answer this is at the shore.”

A Mouth Holds Many Things: A De-Canon Hybrid Literary Anthology / work included: Paint by Number 1 (Outside Songshan Airport, 1969), Is This Your Mother?

“I often push toward fragment / image / hybridity to make visible the gaps in between. Much of my work emerges from deep silences in my family for which there is no model for clarity. “

Hayden’s Ferry Review / Paint by Number 1 (Outside Songshan Airport, 1969), Is This Your Mother?

Olney Magazine (closed) / Land of Plenty, a circle ARCHIVED PDF

Honey Literary / departure of/the bride/enters (erasure and papercut excerpt of a hybrid project)

Noyo Review / Wild Oat (avena barbata), Etymology

Cartridge Lit / Katamari Daddy

wildness / Love is a Thing of Numerous Cautions

Asian American Literary Review / The Village Tarot Card from the Asian American Tarot

Projects/Objects

“The High Priestess”

Stop Action Film, paper, glue and thread

Music composed, performed, recorded, mixed by Leanna Keith

Created for the occasion of the release of “The Tarot Album” by Leanna Keith

***Official Selection for the WAVE (The Women Amplify the Voice of Electroacoustic) music Festival at the University of Oregon, May 2026.

“Names She Taught Me” (one in a series of 8)

Mokuhanga style woodblock print, hand pulled on rice paper.

edition of 10.