WRITING / PROJECTS
[For Chapbooks, Comics and Zines see: M A M A L A O H U]
Poetry / Prose / Hybrid
The Fairy Tale Review - Old Lace Issue / Three Pieces: The Coriolis Effect (In Three Movements), Beyond the Sea, and Mǎmǎhūhū
Asian American Writer’s Workshop The Margins / Echo Body
Frye Museum Blog / Upon the Altar (as a part of Unpoetry: Ekphrastic Poetry in the Galleries)
Hayden’s Ferry Review / Solid Objects Column Essay
A Mouth Holds Many Things: A De-Canon Hybrid Literary Anthology / work included: Paint by Number 1 (Outside Songshan Airport, 1969), Is This Your Mother?
“I often push toward fragment / image / hybridity to make visible the gaps in between. Much of my work emerges from deep silences in my family for which there is no model for clarity. “
Hayden’s Ferry Review / Paint by Number 1 (Outside Songshan Airport, 1969), Is This Your Mother?
Olney Magazine (closed) / Land of Plenty, a circle ARCHIVED PDF
Honey Literary / departure of/the bride/enters (erasure and papercut excerpt of a hybrid project)
Noyo Review / Wild Oat (avena barbata), Etymology
Capsule Stories / Everything Holy, A Tuesday Pandemic Love Song, Eleventh Month
Cartridge Lit / Katamari Daddy
wildness / Love is a Thing of Numerous Cautions
South Seattle Emerald / Ode to Everyone at the Table (reformatted) (original version of the poem is here)
Asian American Literary Review / The Village Tarot Card from the Asian American Tarot
Projects/Objects
“The High Priestess” (starts at 49:30)
Stop Action Film, paper, glue and thread
Music composed, performed, recorded, mixed by Leanna Keith
Created for the occasion of the release of “The Tarot Album” by Leanna Keith
“Names She Taught Me” (one in a series of 8)
Mokuhanga style woodblock print, hand pulled on rice paper.
edition of 10.